MODULAR FONT

I combined the characteristics of graffiti and gothic fonts and started not to think about how the modules would fit together as a glyph, but to draw words and shapes as freely as graffiti fonts.
I scanned out the graffiti graphics and intercepted some of them as modules to spell out the font.
The choice of modules I combined with the logic of Chinese hieroglyphics. The strokes of Chinese characters can be summarised into several types, horizontal lines, vertical lines, dots, transitions and so on, making a total of eight types, which can summarise all types of characters. I have therefore followed this logic in selecting six modules: short horizontal lines, long horizontal lines, circles, curved radii and transitions.